Yesterday I wrote that I’d begun the red background owl chick painting in the midst of the out of body experience painting. While waiting on my owl to dry, I began another, shown here to the right. A friend said my new painting looks just like her sister and wanted me to do one that looked like her (and her cat.) I told her that if it ends up looking like someone, that’s one thing but realistic faces are too hard for me to do — the least bit of anything out of place makes it look all wonky. And I do wonky just fine as it is.
I’m flattered friends are asking to buy prints from me and I’m happy to provide them, but I don’t want to turn the art into another form of work. I work enough as it is. My only consideration before starting a painting is: just in case it turns out to be something I want to use for the cover of Horizons Magazine, use a 9×12 or 11×14 vertical canvas, leaving room at the top for the masthead.
Other than that, I’m simply using the art as a fun meditation practice. The finished image isn’t as important as the thought journey I get taken on. It lifts me out of my everyday world and into another place. Like a book for some, a movie or a trip for others. And I’m all about altering my consciousness (through meditation, visualization, creative expression) to see beyond the mundane, turning it into a world full of symbolism and metaphor from which I learn, every day.
RELATED: Update from the art studio
There’s the acrylic painting on canvas version and the Photoshopped digital version
I begin painting from out of body, astral flight sketches
Painting is a daily meditation for me
Introducing Junelle, with open hands to take your pain away
Introducing Moon Gal with Raven
Introducing Rosa of the Aqua Eye
Evolution of Ganesh with Bass
I’m doing a series of paintings as a form of shamanic soul retrieval
Painting as a method of altering consciousness